Tuesday, 1 March 2016

Golden Lonesome: Photographs by Arden Wray

Golden Lonesome: Photographs by Arden Wray

The Golden Lonesome photography exhibition features the work of Toronto-based photographer Arden Wray. A self-proclaimed nomad, Wray says her photographic practice stems from a diaristic documentation of her life as a single woman in her mid-twenties. "I respond to the way in which strangers, especially communities of women, can become a transient family if you let them. In my images, I want to immortalize that liminal state of beginning."

Golden Lonesome takes place from March 6 to April 10 (Opening: Thursday, March 10th, 6-9 pm) at the Likely General (389 Roncesvalles Avenue).

Hours of operation:

Monday to Saturday: 11:00 am – 7:00 pm
Sunday: 12:00 pm – 6:00 pm

Visit www.ardenwray.com to see more.

The post Golden Lonesome: Photographs by Arden Wray appeared first on Shedoesthecity.



from Shedoesthecity http://ift.tt/1TP4OWx
Golden Lonesome: Photographs by Arden Wray http://ift.tt/1TP4OWx shedoesthecity Golden Lonesome: Photographs by Arden Wray

The Golden Lonesome photography exhibition features the work of Toronto-based photographer Arden Wray. A self-proclaimed nomad, Wray says her photographic practice stems from a diaristic documentation of her life as a single woman in her mid-twenties. "I respond to the way in which strangers, especially communities of women, can become a transient family if you let them. In my images, I want to immortalize that liminal state of beginning."

Golden Lonesome takes place from March 6 to April 10 (Opening: Thursday, March 10th, 6-9 pm) at the Likely General (389 Roncesvalles Avenue).

Hours of operation:

Monday to Saturday: 11:00 am – 7:00 pm
Sunday: 12:00 pm – 6:00 pm

Visit www.ardenwray.com to see more.

The post Golden Lonesome: Photographs by Arden Wray appeared first on Shedoesthecity.

http://ift.tt/1LSYFke March 01, 2016 at 01:00PM Shedoesthecity http://ift.tt/1eHoT7u

Adult Learning: How To Get a Bosom Friend

Adult Learning: How To Get a Bosom Friend

Dear Audra,

I am almost 28, and I have a ton of acquaintances who often want to "grab drinks" and "get dinner," but I have very few people in my life I consider "real" friends. To me that would mean someone I trust enough to be honest about how I'm feeling and what I think, someone I can be myself around, someone I care about to a significant degree. And having those things reciprocated.

My friend history is littered with confusing falling outs and ghostings. There was the high school best friend who disappeared from my life about a semester after we started college and ignored my pleas for an explanation; the college roommate who exploded at me for being a "bad friend" because I was uncomfortable being around her boyfriend; the friend whose boyfriend didn't want her to be friends with me and she complied.

Then there are the people I have learned to see as exhausters. The friend I don't know very well but who expects emotional support from me on a level that I don't feel equipped to handle; the one who only talks to me when she wants to argue about politics or pick my brain about my views; the one who practically uses messages to me as a diary of his life's woes and complaints.

Between these two groups, I have begun to feel like my time and feelings aren't really valuable to others, despite the effort that I put in. I've talked about this with my therapist, and she thinks it might be, at least in part, about expectations. With the first group, my expectations were too high, or unhealthy. I wanted a "kindred spirit" relationship like the ones I'd grown up reading about (big lover of Anne of Green Gables, here.) But Anne was pretty codependent, and those kinds of relationships aren't actually all that common, or healthy. And with the second group, people may be taking advantage of me, but that's about expectations too. This is pretty satisfying to me as an explanation, but what now? How do I more accurately set expectations for a relationship with me? How do I make it clear that I care about someone and want to know what makes them happy or sad or laugh, but am not signing up to shoulder all their troubles? How do I attract people who will actually reciprocate the time and energy I put into a friendship? Or is this even possible?

I understand that we can't dictate or predict how people will act, but clearly humans operate off of each other's cues, and either some of mine are wrong, or most people suck. And I do not (want to) believe that most people suck!

So, any advice on how to be a better friend, and attract the right kind of friends, too?

Sincerely,
Kindred Spirit

Dear KS,

I also grew up reading Anne of Green Gables, and it did a great job of teaching me how life changing it can be to make a friend like Diana Barry. Everyone I know has always been way more invested in Anne and Diana's love than in Anne and Gilbert's, and I feel like generations of girls internalized the crucial message that "romantic love" is great and all, but we also need strong friendships to sustain us (even if our husbands don't go off to war or whatever).

Many folks seem to think that finding a best friend will be like falling in love is in a movie: as soon as you meet this person, you will know they are The One For You, and the rest of your relationship will be completely effortless because you are magical soul mates and can anticipate and meet all of each other's needs.

The bleakest examples of this, I think, are the countless Craigslist ads like this one, written by people looking for instant best friends. As if it's possible to find "a best friend to text every day and just say hi and chat about our days" based on a shared interest in "Going for dinners, coffees, and Friday night shenanigans."

I am not trying to put this person down at all; it's heartbreaking that people are so aching for that kind of connection in their life. But it's even more upsetting they've internalized the message that a person you meet can instantly be your best friend. Which is what Anne Shirley did with Diana Barry for sure. But she was a recently abandoned 12-year-old girl, and also fictional. So you might not want to follow that model too closely. It is as ill advised as having your entire wedding planned out while you are single, and sort of taking the "insert husband here" approach to all of it.

Just like with dating, a crucial first step is to figure out exactly what traits and qualities you want in a friend. If you are not sure what those are, think about your favourite friendships, real or fictional, and make a list of the common traits that make them so great.

I was talking to some friends recently about my real-life-Anne-with-an-e (read her blog), and getting really emotional about how much of a great friend she is, and how loved I feel by her. And I realized that it's because she is one of the best people in my life at keeping people's "love maps" in her head. I've written about the importance of these before, in the context of romantic relationships. They help me feel safe and secure in my friendships, too. To save from you having to read that entire other piece, here's the gist (from Dr. John Gottman, who originated the idea):

"A love map is a roadmap you create in your mind of your partner's inner psychological world. It is the most basic level of friendship. The fundamental process in making a love map is asking questions and remembering the answers—keeping them in working memory."

No matter what idea or hurt I bring to Anne, she is always able to reflect it back to me in the context of my entire life, in a way that I usually cannot even do myself. She'll just be like, "Oh, of course you find this hard. It probably makes you think of when you were a little kid and this other really similar thing happened!" In addition to giving me super crucial and soothing insight, it also means she listens to me when I talk and understands what I am saying (or asks questions when she doesn't!). She internalizes what I am saying and values our friendship enough to file that information away in case it comes up later. I don't think anyone else in my life does this to the same degree, and I am so thankful for it. (I hope I am always able to do the same for her!)

Having said all that, it's possible love maps will not be the most important thing to you (even though there is likely always value in working on them at least a little bit). Everyone has different things they are looking for. Some people really require unwavering loyalty in order to build trust. Others build their friendships around shared activities. Others want to make sure their friends are in the same place they are right now in their lives.

All of my best friendships have developed slowly over long periods of time of increased vulnerability and investment, usually beginning with a shared joke. None my best friends are people I knew upon meeting that I'd be close with for years, even the ones I liked right away. So I would encourage you to spend some time with those people you say are asking you to "have drinks" or "grab dinner" with them, even though you feel like those are not the sorts of intimate things you are looking to do with your friends. Because how do you know if you can be intimate friends with someone if you don't grab a lot of dinners or drinks with them first? You might think you know right away if someone is best friend material or not, but that is as unrealistic as expecting love-at-first-sight in a romantic context.

I feel like I am coming across as super pragmatic and logical and clinical about friendships, and that's not how I feel at all. Few things are as dizzying as a new crush, and I don't find friend-crushes are less intense or thrilling at all. You realize you are thinking about someone all the time, and then find excuses to start talking about them all the time (in order to give yourself more material to think about!). Finding out that your friend-crush is reciprocated feels like winning the lottery, and you become insufferable in shoehorning mentions of them to everyone else in your life.

I have also had sleeper-hit friendships, where I've ended up in the same Facebook group and/or group chat with someone, and realized my feelings had gradually transitioned from "This person is so hilarious!" to "This person is so lovely!" to "If anyone messes with this person, I will push them in front of a train!" without my noticing.

The way you talk about your friends, it sounds like maybe you wouldn't push anyone in front of a train for them? And that's fine, not all friendships manifest that way! But it sounds like you actually want to push some of them in front of a train, which is a problem. I am hearing what sounds like a lot of resentment about these folks. And that's a reasonable reaction to being taken advantage of, but I don't know how much luck you will having filling your life with great friends while these folks are, by your description, exhausting you. You need to clear them out in order to make the mental and emotional space for more deserving people (like maybe some of those people who want to grab coffee or dinner). As you build these friendships, you can make sure you have good boundaries in place from the get-go, to help you establish clear expectations and keep them in place as the friendship deepens.

It can be so hard, I know, to clean house like this while you are already feeling scarcity. Since I don't approach romantic love and friendships that differently, I recommend you spend some time reading this earlier column about how to meet a guy to date, and try to apply some of it (even the OkCupid parts!) to finding those people who have the potential to gradually (!) become bosom friends.

Fondestly yours,
Audra

Do you have a problem that you could use some help with? Send along your questions about love, career, politics, and anything else to ask.adult.learning@gmail.com.

The post Adult Learning: How To Get a Bosom Friend appeared first on Shedoesthecity.



from Shedoesthecity http://ift.tt/1oWdZYR
Adult Learning: How To Get a Bosom Friend http://ift.tt/1oWdZYR Audra Williams Adult Learning: How To Get a Bosom Friend

Dear Audra,

I am almost 28, and I have a ton of acquaintances who often want to "grab drinks" and "get dinner," but I have very few people in my life I consider "real" friends. To me that would mean someone I trust enough to be honest about how I'm feeling and what I think, someone I can be myself around, someone I care about to a significant degree. And having those things reciprocated.

My friend history is littered with confusing falling outs and ghostings. There was the high school best friend who disappeared from my life about a semester after we started college and ignored my pleas for an explanation; the college roommate who exploded at me for being a "bad friend" because I was uncomfortable being around her boyfriend; the friend whose boyfriend didn't want her to be friends with me and she complied.

Then there are the people I have learned to see as exhausters. The friend I don't know very well but who expects emotional support from me on a level that I don't feel equipped to handle; the one who only talks to me when she wants to argue about politics or pick my brain about my views; the one who practically uses messages to me as a diary of his life's woes and complaints.

Between these two groups, I have begun to feel like my time and feelings aren't really valuable to others, despite the effort that I put in. I've talked about this with my therapist, and she thinks it might be, at least in part, about expectations. With the first group, my expectations were too high, or unhealthy. I wanted a "kindred spirit" relationship like the ones I'd grown up reading about (big lover of Anne of Green Gables, here.) But Anne was pretty codependent, and those kinds of relationships aren't actually all that common, or healthy. And with the second group, people may be taking advantage of me, but that's about expectations too. This is pretty satisfying to me as an explanation, but what now? How do I more accurately set expectations for a relationship with me? How do I make it clear that I care about someone and want to know what makes them happy or sad or laugh, but am not signing up to shoulder all their troubles? How do I attract people who will actually reciprocate the time and energy I put into a friendship? Or is this even possible?

I understand that we can't dictate or predict how people will act, but clearly humans operate off of each other's cues, and either some of mine are wrong, or most people suck. And I do not (want to) believe that most people suck!

So, any advice on how to be a better friend, and attract the right kind of friends, too?

Sincerely,
Kindred Spirit

Dear KS,

I also grew up reading Anne of Green Gables, and it did a great job of teaching me how life changing it can be to make a friend like Diana Barry. Everyone I know has always been way more invested in Anne and Diana's love than in Anne and Gilbert's, and I feel like generations of girls internalized the crucial message that "romantic love" is great and all, but we also need strong friendships to sustain us (even if our husbands don't go off to war or whatever).

Many folks seem to think that finding a best friend will be like falling in love is in a movie: as soon as you meet this person, you will know they are The One For You, and the rest of your relationship will be completely effortless because you are magical soul mates and can anticipate and meet all of each other's needs.

The bleakest examples of this, I think, are the countless Craigslist ads like this one, written by people looking for instant best friends. As if it's possible to find "a best friend to text every day and just say hi and chat about our days" based on a shared interest in "Going for dinners, coffees, and Friday night shenanigans."

I am not trying to put this person down at all; it's heartbreaking that people are so aching for that kind of connection in their life. But it's even more upsetting they've internalized the message that a person you meet can instantly be your best friend. Which is what Anne Shirley did with Diana Barry for sure. But she was a recently abandoned 12-year-old girl, and also fictional. So you might not want to follow that model too closely. It is as ill advised as having your entire wedding planned out while you are single, and sort of taking the "insert husband here" approach to all of it.

Just like with dating, a crucial first step is to figure out exactly what traits and qualities you want in a friend. If you are not sure what those are, think about your favourite friendships, real or fictional, and make a list of the common traits that make them so great.

I was talking to some friends recently about my real-life-Anne-with-an-e (read her blog), and getting really emotional about how much of a great friend she is, and how loved I feel by her. And I realized that it's because she is one of the best people in my life at keeping people's "love maps" in her head. I've written about the importance of these before, in the context of romantic relationships. They help me feel safe and secure in my friendships, too. To save from you having to read that entire other piece, here's the gist (from Dr. John Gottman, who originated the idea):

"A love map is a roadmap you create in your mind of your partner's inner psychological world. It is the most basic level of friendship. The fundamental process in making a love map is asking questions and remembering the answers—keeping them in working memory."

No matter what idea or hurt I bring to Anne, she is always able to reflect it back to me in the context of my entire life, in a way that I usually cannot even do myself. She'll just be like, "Oh, of course you find this hard. It probably makes you think of when you were a little kid and this other really similar thing happened!" In addition to giving me super crucial and soothing insight, it also means she listens to me when I talk and understands what I am saying (or asks questions when she doesn't!). She internalizes what I am saying and values our friendship enough to file that information away in case it comes up later. I don't think anyone else in my life does this to the same degree, and I am so thankful for it. (I hope I am always able to do the same for her!)

Having said all that, it's possible love maps will not be the most important thing to you (even though there is likely always value in working on them at least a little bit). Everyone has different things they are looking for. Some people really require unwavering loyalty in order to build trust. Others build their friendships around shared activities. Others want to make sure their friends are in the same place they are right now in their lives.

All of my best friendships have developed slowly over long periods of time of increased vulnerability and investment, usually beginning with a shared joke. None my best friends are people I knew upon meeting that I'd be close with for years, even the ones I liked right away. So I would encourage you to spend some time with those people you say are asking you to "have drinks" or "grab dinner" with them, even though you feel like those are not the sorts of intimate things you are looking to do with your friends. Because how do you know if you can be intimate friends with someone if you don't grab a lot of dinners or drinks with them first? You might think you know right away if someone is best friend material or not, but that is as unrealistic as expecting love-at-first-sight in a romantic context.

I feel like I am coming across as super pragmatic and logical and clinical about friendships, and that's not how I feel at all. Few things are as dizzying as a new crush, and I don't find friend-crushes are less intense or thrilling at all. You realize you are thinking about someone all the time, and then find excuses to start talking about them all the time (in order to give yourself more material to think about!). Finding out that your friend-crush is reciprocated feels like winning the lottery, and you become insufferable in shoehorning mentions of them to everyone else in your life.

I have also had sleeper-hit friendships, where I've ended up in the same Facebook group and/or group chat with someone, and realized my feelings had gradually transitioned from "This person is so hilarious!" to "This person is so lovely!" to "If anyone messes with this person, I will push them in front of a train!" without my noticing.

The way you talk about your friends, it sounds like maybe you wouldn't push anyone in front of a train for them? And that's fine, not all friendships manifest that way! But it sounds like you actually want to push some of them in front of a train, which is a problem. I am hearing what sounds like a lot of resentment about these folks. And that's a reasonable reaction to being taken advantage of, but I don't know how much luck you will having filling your life with great friends while these folks are, by your description, exhausting you. You need to clear them out in order to make the mental and emotional space for more deserving people (like maybe some of those people who want to grab coffee or dinner). As you build these friendships, you can make sure you have good boundaries in place from the get-go, to help you establish clear expectations and keep them in place as the friendship deepens.

It can be so hard, I know, to clean house like this while you are already feeling scarcity. Since I don't approach romantic love and friendships that differently, I recommend you spend some time reading this earlier column about how to meet a guy to date, and try to apply some of it (even the OkCupid parts!) to finding those people who have the potential to gradually (!) become bosom friends.

Fondestly yours,
Audra

Do you have a problem that you could use some help with? Send along your questions about love, career, politics, and anything else to ask.adult.learning@gmail.com.

The post Adult Learning: How To Get a Bosom Friend appeared first on Shedoesthecity.

http://ift.tt/1oWdZYP March 01, 2016 at 12:00PM Shedoesthecity http://ift.tt/1eHoT7u

How To Start Writing

How To Start Writing-01

Writing is finicky. It's sharp around the edges, full of leaking faucets, burning buildings, melting ice cream and dreamy fields of nonsense. It's an art form, hobby, and headache all in one. And for the past three years, I've written every single day to get better at it and understand how I write and what I need to do to get better. I still don't know what I'm doing, or how I do it, just that I want to write, and there's nothing more satisfying, self-indulgent and therapeutic than typing words in Cambria in a half-empty coffee shop while listening to Philip Glass.

Safe to say, writing isn't a natural talent of mine, and Google will prove this statement if you search my name for a blog post published before 2015. It's embarrassing, and there are plenty of spelling mistakes, bad sentences, even a missing word here and there that still makes me blush like I'm an idiot wearing her t-shirt backwards. Get used to being embarrassed all the time, the feeling will never go away. But that's okay: Writing well doesn't happen overnight and it takes time before you feel comfortable doing it. That's why I'm writing this, to help other women start writing, which is the hardest part.

READ LIKE YOU'RE A KID

When I was eleven, my rabbit was my best friend. I named him Prosper, after a character in a book called The Thief Lord, and we were inseparable. Together, we read books about Egyptian queens, book thieves in Venice and little girls in the Middle East. At night, after I fed him carrots and watched him poop pellets around my bedroom, we fell asleep together reading stories about things a rabbit and little girl had never seen. Reading out loud to my rabbit inspired me to read more, and is the real reason I started writing. You don't need to buy a rabbit, but you do need a book. And if you ever get a chance, read to a rabbit out loud. Rabbits love reading more than writers.

BECOME A HOARDER OF LANGUAGE

When I see a word I like, I write it down. I also have a dedicated playlist of Philip Glass, Chilly Gonzales, and Eric Satie to keep my rhythm going while I think of what words I want to write next. Believe it or not, the only font I can write in is Cambria, because it's the closest font to the one in my childhood adventure novels. I write first thing in the morning because my mind is airy and my memory is as clear as purified tap water. Sure, I can write a few sentences in the afternoon, but it's not the same. That's why I edit in the evening, after a few coffees and the day is in a blurry wave between 3 pm and 6 pm. It's a ritual, you see.

Point is: You need to pick your preferences. Are you an early bird or a night owl? Do you write better outside of the living room or in a study somewhere quiet? Coffee or tea? Is your playlist full of dance pop Grimes or quiet indie Grizzly Bear? Pencil or laptop?

Likewise to my other job as a barista, I need to reorganize the station before I start serving coffee to customers. The towels need to be in place, the spoons where I last put them and the milk on the right side of the counter; the space needs to be MINE. Writing is the same. Close the door, reposition your blankets and make a playlist. Once these things are in the place, the words will write themselves.

START A BLOG AND GET PUBLISHED

In 2014 I started a personal blog and pitched my first story to She Does The City. It was an adolescent piece about getting dumped after a Blue Jays game, and it was called "The Post-Break Up High Road." I wrote it under a pseudonym because I was afraid that a girl like me could have so many "feelings" and it felt yucky. Ugh. Gross! Not feelings! Comparing this to my later writing, it's like the first chapter in the Lord of the Rings trilogy. Since then I've written about every topic under the sun like erotica, horoscopes, interviews and life pieces, and my blog is filled with terrible stories that are all very true and full of things I may not want everyone to know about. But that's okay. That's what writing is about. Sharing things that are messy, inconsiderate and full of sparkly little diamonds.

FIND YOUR VOICE AND DON'T TRY TOO HARD

This was my biggest challenge. I looked everywhere: In self-help books, GQ, Tom Robbins and Lucia Berlin. I wanted their voice to be my voice so badly. I forced it, and it never worked. I wrote in voices like the bored housewife, the drug-obsessed artist, and the witty self-help comedian; some felt more right than others, but still not my voice. Even with all the voices I've tried to force onto myself, my voice was still there. Underneath all the different layers, waiting for me to find it. And after a year or two, I suddenly found it like it was standing right in front of me the entire time. It was cheeky, light-hearted and genuine in places I never expected. It's my speaking voice. And now it's my writing voice.

It won't happen immediately, but when you do find your voice, you'll know it. And one day, you'll be walking down Queen West to grab a coffee at Jimmy's, and suddenly it'll hit you and you'll feel like you found $20 on the ground. Hey you! I see you! That's my voice!

STOP COMPARING YOURSELF

Even now, I still do it. I read a terrific piece of writing and immediately feel sick. "I'll never write like that," I think to myself. It's a downhill spiral, and instead of feeling inspired by someone else's writing, I make myself jealous and angry. Not good. Don't do this. Everyone has a different voice, style and way of doing something. Don't be so hard on yourself if it takes you longer to get there, because it will. It took me over two years to learn why grammar, math, and editing are equally as important as getting the words down. Stop beating yourself up over it.

EDITING IS WHERE THE MAGIC HAPPENS

When I first started writing, I was a speed freak. I wrote thoughts that popped into my head and purged whatever feeling, memory or idea onto paper. Almost immediately after finishing, I'd send the piece in without a second glance to double check spelling, flow or clarity. Foolish. But I was so excited to see words and paragraphs, I honestly thought it was done. Like, why would I need to look at this again, now that's on the page? Well, you do. And it's the best part. After you start writing. Take a break and do something else for a bit. Return to it after a few hours and read the piece again with fresh eyes, because chances are, you'll read it differently with a new perspective. Now edit, cut, delete, re-write and prepare for a severe makeover. This is the frustrating part that will make you slap your hand against your head and mutter swear words out loud. Bring it on, because after the editing is over, the writing will speak for itself.

MAKE GOALS

This will help you in the long run. Every week, I set goals and make dorky Google Sheets to track where I want to write and what I want to write about. But that comes much later. So set realistic goals. I write every day, and on top of that, I set time aside to do all the other things that come with writing, like pitching stories to new publications, sharing what I'm doing on social media, updating my blog and reaching out to new people to expand my network. Writing is 2 cups of the cooking recipe. So make goals to reach by the end of the day or end of the week. Every hour counts.

GET USED TO BEING REJECTED

Sooner or later, pitching to publications will become natural, and you'll be so used to rejection that you'll expect it with every email you send. Though it seems to be a very obvious part of the writing game, you won't understand until you've submitted a piece to a million publications and nobody wants it. I'm so used to getting rejected that I genuinely don't care anymore. That's one of the main reasons I started a blog: So I can give my rejected stories a home. I hate the feeling that I wrote something for nothing. Having it somewhere on display makes me feel better about it. Also, remember that pieces are usually rejected because it's not the right fit, the timing is off, or it's not "newsy" enough. This doesn't mean your writing is bad or you're not a good person. And in a while, you'll see a reply that will fill you with possibility and hope for the future.

MEET OTHER PEOPLE WHO WRITE

It wasn't until late last year that I met other people who write. None of my friends are writers, and I felt like I was boring them with all my nerdy rants about dangling modifiers and individuals who abuse exclamation marks. It was obvious that I needed to hang out with other writers to talk about the emotional mood swings of writing (there are plenty). Once I met some mutual friends, we met once a week to chat about story ideas, rates, and other stuff that only other writers would understand and geek out about. This is where I found my confidence. Every week, we rant about writing like it's the only thing worth living for. And I love it.

OTHER RESOURCES THAT WILL HELP:

  • Read Bird By Bird by Anna Lamonte, On Writing by Stephen King and Eats, Shoots & Leaves by Lynne Truss.
  • Download Grammarly for spelling and punctuation; if you can find an editor of some kind who turns writing around quickly and is available 24/7, then use them instead.
  • If you have trouble finding flow, write down "words or phrases that start sentences" and collect these from your favourite writers. You'll be amazed how easy it is to write when you know which words make sentences sound cohesive. Learn and steal these words from the greats.
  • Watch the movie Finding Forrester, it's about a famous writer who teaches a basketball player how to write. Busta Rhymes is in it too.
  • Read your work out loud to edit. This works wonders.
  • Research places you want to write for and start pitching.
  • Get used to being rejected. It's going to happen a lot.

The post How To Start Writing appeared first on Shedoesthecity.



from Shedoesthecity http://ift.tt/1T6czXU
How To Start Writing http://ift.tt/1T6czXU Sarah Brown How To Start Writing-01

Writing is finicky. It's sharp around the edges, full of leaking faucets, burning buildings, melting ice cream and dreamy fields of nonsense. It's an art form, hobby, and headache all in one. And for the past three years, I've written every single day to get better at it and understand how I write and what I need to do to get better. I still don't know what I'm doing, or how I do it, just that I want to write, and there's nothing more satisfying, self-indulgent and therapeutic than typing words in Cambria in a half-empty coffee shop while listening to Philip Glass.

Safe to say, writing isn't a natural talent of mine, and Google will prove this statement if you search my name for a blog post published before 2015. It's embarrassing, and there are plenty of spelling mistakes, bad sentences, even a missing word here and there that still makes me blush like I'm an idiot wearing her t-shirt backwards. Get used to being embarrassed all the time, the feeling will never go away. But that's okay: Writing well doesn't happen overnight and it takes time before you feel comfortable doing it. That's why I'm writing this, to help other women start writing, which is the hardest part.

READ LIKE YOU'RE A KID

When I was eleven, my rabbit was my best friend. I named him Prosper, after a character in a book called The Thief Lord, and we were inseparable. Together, we read books about Egyptian queens, book thieves in Venice and little girls in the Middle East. At night, after I fed him carrots and watched him poop pellets around my bedroom, we fell asleep together reading stories about things a rabbit and little girl had never seen. Reading out loud to my rabbit inspired me to read more, and is the real reason I started writing. You don't need to buy a rabbit, but you do need a book. And if you ever get a chance, read to a rabbit out loud. Rabbits love reading more than writers.

BECOME A HOARDER OF LANGUAGE

When I see a word I like, I write it down. I also have a dedicated playlist of Philip Glass, Chilly Gonzales, and Eric Satie to keep my rhythm going while I think of what words I want to write next. Believe it or not, the only font I can write in is Cambria, because it's the closest font to the one in my childhood adventure novels. I write first thing in the morning because my mind is airy and my memory is as clear as purified tap water. Sure, I can write a few sentences in the afternoon, but it's not the same. That's why I edit in the evening, after a few coffees and the day is in a blurry wave between 3 pm and 6 pm. It's a ritual, you see.

Point is: You need to pick your preferences. Are you an early bird or a night owl? Do you write better outside of the living room or in a study somewhere quiet? Coffee or tea? Is your playlist full of dance pop Grimes or quiet indie Grizzly Bear? Pencil or laptop?

Likewise to my other job as a barista, I need to reorganize the station before I start serving coffee to customers. The towels need to be in place, the spoons where I last put them and the milk on the right side of the counter; the space needs to be MINE. Writing is the same. Close the door, reposition your blankets and make a playlist. Once these things are in the place, the words will write themselves.

START A BLOG AND GET PUBLISHED

In 2014 I started a personal blog and pitched my first story to She Does The City. It was an adolescent piece about getting dumped after a Blue Jays game, and it was called "The Post-Break Up High Road." I wrote it under a pseudonym because I was afraid that a girl like me could have so many "feelings" and it felt yucky. Ugh. Gross! Not feelings! Comparing this to my later writing, it's like the first chapter in the Lord of the Rings trilogy. Since then I've written about every topic under the sun like erotica, horoscopes, interviews and life pieces, and my blog is filled with terrible stories that are all very true and full of things I may not want everyone to know about. But that's okay. That's what writing is about. Sharing things that are messy, inconsiderate and full of sparkly little diamonds.

FIND YOUR VOICE AND DON'T TRY TOO HARD

This was my biggest challenge. I looked everywhere: In self-help books, GQ, Tom Robbins and Lucia Berlin. I wanted their voice to be my voice so badly. I forced it, and it never worked. I wrote in voices like the bored housewife, the drug-obsessed artist, and the witty self-help comedian; some felt more right than others, but still not my voice. Even with all the voices I've tried to force onto myself, my voice was still there. Underneath all the different layers, waiting for me to find it. And after a year or two, I suddenly found it like it was standing right in front of me the entire time. It was cheeky, light-hearted and genuine in places I never expected. It's my speaking voice. And now it's my writing voice.

It won't happen immediately, but when you do find your voice, you'll know it. And one day, you'll be walking down Queen West to grab a coffee at Jimmy's, and suddenly it'll hit you and you'll feel like you found $20 on the ground. Hey you! I see you! That's my voice!

STOP COMPARING YOURSELF

Even now, I still do it. I read a terrific piece of writing and immediately feel sick. "I'll never write like that," I think to myself. It's a downhill spiral, and instead of feeling inspired by someone else's writing, I make myself jealous and angry. Not good. Don't do this. Everyone has a different voice, style and way of doing something. Don't be so hard on yourself if it takes you longer to get there, because it will. It took me over two years to learn why grammar, math, and editing are equally as important as getting the words down. Stop beating yourself up over it.

EDITING IS WHERE THE MAGIC HAPPENS

When I first started writing, I was a speed freak. I wrote thoughts that popped into my head and purged whatever feeling, memory or idea onto paper. Almost immediately after finishing, I'd send the piece in without a second glance to double check spelling, flow or clarity. Foolish. But I was so excited to see words and paragraphs, I honestly thought it was done. Like, why would I need to look at this again, now that's on the page? Well, you do. And it's the best part. After you start writing. Take a break and do something else for a bit. Return to it after a few hours and read the piece again with fresh eyes, because chances are, you'll read it differently with a new perspective. Now edit, cut, delete, re-write and prepare for a severe makeover. This is the frustrating part that will make you slap your hand against your head and mutter swear words out loud. Bring it on, because after the editing is over, the writing will speak for itself.

MAKE GOALS

This will help you in the long run. Every week, I set goals and make dorky Google Sheets to track where I want to write and what I want to write about. But that comes much later. So set realistic goals. I write every day, and on top of that, I set time aside to do all the other things that come with writing, like pitching stories to new publications, sharing what I'm doing on social media, updating my blog and reaching out to new people to expand my network. Writing is 2 cups of the cooking recipe. So make goals to reach by the end of the day or end of the week. Every hour counts.

GET USED TO BEING REJECTED

Sooner or later, pitching to publications will become natural, and you'll be so used to rejection that you'll expect it with every email you send. Though it seems to be a very obvious part of the writing game, you won't understand until you've submitted a piece to a million publications and nobody wants it. I'm so used to getting rejected that I genuinely don't care anymore. That's one of the main reasons I started a blog: So I can give my rejected stories a home. I hate the feeling that I wrote something for nothing. Having it somewhere on display makes me feel better about it. Also, remember that pieces are usually rejected because it's not the right fit, the timing is off, or it's not "newsy" enough. This doesn't mean your writing is bad or you're not a good person. And in a while, you'll see a reply that will fill you with possibility and hope for the future.

MEET OTHER PEOPLE WHO WRITE

It wasn't until late last year that I met other people who write. None of my friends are writers, and I felt like I was boring them with all my nerdy rants about dangling modifiers and individuals who abuse exclamation marks. It was obvious that I needed to hang out with other writers to talk about the emotional mood swings of writing (there are plenty). Once I met some mutual friends, we met once a week to chat about story ideas, rates, and other stuff that only other writers would understand and geek out about. This is where I found my confidence. Every week, we rant about writing like it's the only thing worth living for. And I love it.

OTHER RESOURCES THAT WILL HELP:

  • Read Bird By Bird by Anna Lamonte, On Writing by Stephen King and Eats, Shoots & Leaves by Lynne Truss.
  • Download Grammarly for spelling and punctuation; if you can find an editor of some kind who turns writing around quickly and is available 24/7, then use them instead.
  • If you have trouble finding flow, write down "words or phrases that start sentences" and collect these from your favourite writers. You'll be amazed how easy it is to write when you know which words make sentences sound cohesive. Learn and steal these words from the greats.
  • Watch the movie Finding Forrester, it's about a famous writer who teaches a basketball player how to write. Busta Rhymes is in it too.
  • Read your work out loud to edit. This works wonders.
  • Research places you want to write for and start pitching.
  • Get used to being rejected. It's going to happen a lot.

The post How To Start Writing appeared first on Shedoesthecity.

http://ift.tt/1LSH8Zt March 01, 2016 at 11:00AM Shedoesthecity http://ift.tt/1eHoT7u

Bylined: Women in Journalism – Emma Yardley

Bylined: Women in Journalism - Emma Yardley

The media landscape is shifting. Layoffs, cutbacks and uncertainty about the future have cast a shadow over much of the industry. In our new series, "Bylined: Women in Journalism," we talk to notable women working in journalism to find out how to survive (and thrive) in the current climate. For this installment, we chatted with freelance travel and lifestyle writer, Emma Yardley.

SDTC: What was your  trajectory to get where you're at now?

EY: I have a BA (Honours) in International Development and Spanish from Queen's University and a post-grad BJ (Bachelor of Journalism with Distinction) from the University of King's College in Halifax.

What was the best piece of career advice given to you?

In 2001, I was living in Nicaragua doing research for my honours thesis and became friends with a seventy-year-old Pennsylvania man who had been the travel editor at a large daily in Philadelphia for forty years (he'd also been a CIA language expert during the Cold War…but that's another story).

When I mentioned I'd love to be a travel writer one day, he turned to me, fixed me with his steely blue eyes and said, "Don't. Go to law school, become an environmental lawyer and fix this messed up world of ours instead." Law wasn't for me, but I still pass on his advice to this day: If you want to be a writer, there are many different ways to be one without making it a career.

What has changed in the industry over the last five years?

During my first week as the assistant fashion editor at Canadian Living (my first journalism job in Toronto) in 2009, all the Transcontinental employees were called up to an empty floor of the NestlĂ© building and told by a row of executives that they were closing down a handful of magazines and websites in Montreal, putting hundreds of people out of work, and there would be layoffs in Toronto too. Sadly, that set the tone for the times — I've since witnessed and experienced countless rounds of layoffs at the country's biggest newspapers, magazines and websites.

Why did you initially want to get into journalism?

I actually wanted to get into fashion, and writing seemed liked the best way to do that. I'm from a small town in B.C. so there weren't any fashion designers to study under or stylists to assist, but we did have a community newspaper. I got a job proofreading the classified section and pitched fashion pieces whenever they'd listen to me. But when a series of my style stories won a provincial award, I received an employee scholarship and sent myself to j-school.

What is the most challenging aspect of being a writer?

As a freelancer, it's the constant juggling of deadlines, story pitches, PR emails, conference calls and, you know, actually writing. I'd say 25 per cent of my time is spent writing and the rest is getting myself to a place where I'm able to write. So, make sure your organization skills are on point!

What do you enjoy most?

When I've finished transcribing all my interviews, when my photos are labelled and ready to go, and I can finally sit down and write a piece, without fail there will be a moment when I'm typing away and think, "Holy shit, I forgot how much I actually love this writing thing!"

Are you afraid for the future of the industry?

Yes (see question 3), because print is dying and no one seems to know what to do about it, while online is expanding but no one seems to know how to make enough money at it.

…Or excited about how it's changing?

Also, yes, because everything is being thrown at the wall to see what sticks, which means I get to try a lot of different storytelling techniques, from digital newspaper stories to Instagram takeovers…and that suits my try-anything personality perfectly.

Any tips for young women getting started in this field?

In our industry, you hear a lot of "Say yes to everything!", which I do think is great advice if you're at your first internship and it's your job to do anything that's asked of you. But my follow-up advice is actually to learn how to say no, or at least learn how to negotiate. Your skills (and time) are valuable, so make sure you get paid for them.

What has been the best memory from your career thus far?

I had just left my beloved post as the online editor at The Kit, and was on my honeymoon in Stockholm. Before leaving, I had knocked on the door of Toronto Star's (then) travel editor and pitched him four Scandinavian travel stories — he took three. And there I was, popping in and out of Swedish clothing shops, interviewing designers and taking photos for my first real newspaper travel/fashion story. It was that moment when I realized going freelance was going to be okay — in fact, more than okay, it was going to take me shopping at the original Cos store in Sweden.

How can we ask better questions of our sources?

I always read as much as I can about the person or topic beforehand. I like to have an idea of the direction of my story will go (i.e., thesis statement) so I can create questions that will hopefully produce usable quotes. I'll have a list of must-hit questions but really it's about actively listening to a person and asking follow-up questions. And always end with a "Is there anything else you think our readers should know?" type of question.

What makes a great pitch? 

Look at the stories already appearing in your target publication or website and make sure your story would look at home beside them. If you've never written for this editor before, include a link or PDF of a past piece; I need to make sure I'm not going to have to rewrite your work. Also, keep in mind editors have to consider budget, page space and editing resources before saying yes to a piece — it may not be you, it may be them.

More people get their news now via Facebook. And Facebook's algorithms control a lot of the user experience in determining what gets seen. Does this affect what you write? 

Luckily, I work with some pretty stellar editors who know the almighty algorithm is not the same as producing well-balanced content. When a story does perform well online, sure, we all celebrate but it doesn't directly dictate what we write.

Emma Yardley is a freelance travel and lifestyle writer who splits her time between B.C., Toronto and various international airport lounges. She has a weekly travel column in Toronto Star and posts multiple times a week on HGTV.ca. She's worked as fashion and beauty editor at Canadian Living, Metro Canada, Sweetspot.ca and The Kit, and has published regular fashion, beauty and decor features in Toronto Star, The Kit, Huffington Post, The StyleList Canada, CBC, iVillage, Slice, Vitamin Daily, The Grid, Toronto Sun and Metro News.

Find her on all social media platforms at @byemmayardley or read more about her journey here.

The post Bylined: Women in Journalism – Emma Yardley appeared first on Shedoesthecity.



from Shedoesthecity http://ift.tt/1LSH63S
Bylined: Women in Journalism – Emma Yardley http://ift.tt/1LSH63S shedoesthecity Bylined: Women in Journalism - Emma Yardley

The media landscape is shifting. Layoffs, cutbacks and uncertainty about the future have cast a shadow over much of the industry. In our new series, "Bylined: Women in Journalism," we talk to notable women working in journalism to find out how to survive (and thrive) in the current climate. For this installment, we chatted with freelance travel and lifestyle writer, Emma Yardley.

SDTC: What was your  trajectory to get where you're at now?

EY: I have a BA (Honours) in International Development and Spanish from Queen's University and a post-grad BJ (Bachelor of Journalism with Distinction) from the University of King's College in Halifax.

What was the best piece of career advice given to you?

In 2001, I was living in Nicaragua doing research for my honours thesis and became friends with a seventy-year-old Pennsylvania man who had been the travel editor at a large daily in Philadelphia for forty years (he'd also been a CIA language expert during the Cold War…but that's another story).

When I mentioned I'd love to be a travel writer one day, he turned to me, fixed me with his steely blue eyes and said, "Don't. Go to law school, become an environmental lawyer and fix this messed up world of ours instead." Law wasn't for me, but I still pass on his advice to this day: If you want to be a writer, there are many different ways to be one without making it a career.

What has changed in the industry over the last five years?

During my first week as the assistant fashion editor at Canadian Living (my first journalism job in Toronto) in 2009, all the Transcontinental employees were called up to an empty floor of the NestlĂ© building and told by a row of executives that they were closing down a handful of magazines and websites in Montreal, putting hundreds of people out of work, and there would be layoffs in Toronto too. Sadly, that set the tone for the times — I've since witnessed and experienced countless rounds of layoffs at the country's biggest newspapers, magazines and websites.

Why did you initially want to get into journalism?

I actually wanted to get into fashion, and writing seemed liked the best way to do that. I'm from a small town in B.C. so there weren't any fashion designers to study under or stylists to assist, but we did have a community newspaper. I got a job proofreading the classified section and pitched fashion pieces whenever they'd listen to me. But when a series of my style stories won a provincial award, I received an employee scholarship and sent myself to j-school.

What is the most challenging aspect of being a writer?

As a freelancer, it's the constant juggling of deadlines, story pitches, PR emails, conference calls and, you know, actually writing. I'd say 25 per cent of my time is spent writing and the rest is getting myself to a place where I'm able to write. So, make sure your organization skills are on point!

What do you enjoy most?

When I've finished transcribing all my interviews, when my photos are labelled and ready to go, and I can finally sit down and write a piece, without fail there will be a moment when I'm typing away and think, "Holy shit, I forgot how much I actually love this writing thing!"

Are you afraid for the future of the industry?

Yes (see question 3), because print is dying and no one seems to know what to do about it, while online is expanding but no one seems to know how to make enough money at it.

…Or excited about how it's changing?

Also, yes, because everything is being thrown at the wall to see what sticks, which means I get to try a lot of different storytelling techniques, from digital newspaper stories to Instagram takeovers…and that suits my try-anything personality perfectly.

Any tips for young women getting started in this field?

In our industry, you hear a lot of "Say yes to everything!", which I do think is great advice if you're at your first internship and it's your job to do anything that's asked of you. But my follow-up advice is actually to learn how to say no, or at least learn how to negotiate. Your skills (and time) are valuable, so make sure you get paid for them.

What has been the best memory from your career thus far?

I had just left my beloved post as the online editor at The Kit, and was on my honeymoon in Stockholm. Before leaving, I had knocked on the door of Toronto Star's (then) travel editor and pitched him four Scandinavian travel stories — he took three. And there I was, popping in and out of Swedish clothing shops, interviewing designers and taking photos for my first real newspaper travel/fashion story. It was that moment when I realized going freelance was going to be okay — in fact, more than okay, it was going to take me shopping at the original Cos store in Sweden.

How can we ask better questions of our sources?

I always read as much as I can about the person or topic beforehand. I like to have an idea of the direction of my story will go (i.e., thesis statement) so I can create questions that will hopefully produce usable quotes. I'll have a list of must-hit questions but really it's about actively listening to a person and asking follow-up questions. And always end with a "Is there anything else you think our readers should know?" type of question.

What makes a great pitch? 

Look at the stories already appearing in your target publication or website and make sure your story would look at home beside them. If you've never written for this editor before, include a link or PDF of a past piece; I need to make sure I'm not going to have to rewrite your work. Also, keep in mind editors have to consider budget, page space and editing resources before saying yes to a piece — it may not be you, it may be them.

More people get their news now via Facebook. And Facebook's algorithms control a lot of the user experience in determining what gets seen. Does this affect what you write? 

Luckily, I work with some pretty stellar editors who know the almighty algorithm is not the same as producing well-balanced content. When a story does perform well online, sure, we all celebrate but it doesn't directly dictate what we write.

Emma Yardley is a freelance travel and lifestyle writer who splits her time between B.C., Toronto and various international airport lounges. She has a weekly travel column in Toronto Star and posts multiple times a week on HGTV.ca. She's worked as fashion and beauty editor at Canadian Living, Metro Canada, Sweetspot.ca and The Kit, and has published regular fashion, beauty and decor features in Toronto Star, The Kit, Huffington Post, The StyleList Canada, CBC, iVillage, Slice, Vitamin Daily, The Grid, Toronto Sun and Metro News.

Find her on all social media platforms at @byemmayardley or read more about her journey here.

The post Bylined: Women in Journalism – Emma Yardley appeared first on Shedoesthecity.

http://ift.tt/1T6cxiE March 01, 2016 at 10:00AM Shedoesthecity http://ift.tt/1eHoT7u

What We’re Listening to This Month

https://www.youtube.com/embed/mc-MliXZrlU

Here are some of the albums we can't get enough of right now!

Porches: Pool

porches"I pull up the car, and I let it run. It takes away from where we are," Aaron Maine (better known as Porches) sings on "Car." Pool, the latest release from the New York artist, is the soundtrack for late-night drives to nowhere. It's packed full of dark electronics, dreamy ambience, and introspective lyrics with an obvious 1980s influence.

Pool is a departure from Maine's 2013 debut, Slow Dance the Cosmos, which leaned more towards an indie rock sound. The album opens with the intimate "Underwater," a song about watching someone slip into a pool – a scene he recreates on the title track. Water and loneliness are both recurring themes throughout Pool, accentuated by Maine's moody vocals. As contemplative as the album is, it's also very danceable, making for an alluring listen.

Must-hear track: "Hour"

Vinyl: Music From the HBO Original Series

vinyl

I've been on a huge classic rock kick lately, fueled primarily by Vinyl, which premiered on Valentine's Day. Produced by Martin Scorsese and Mick Jagger, the HBO series is set in 1970s New York, where record executive Richie Finestra (Bobby Cannavale) is struggling to keep his company afloat in a changing industry. It's pure sex, drugs, and rock 'n' roll.

One of the best things about Vinyl is its soundtrack – but with the lead singer of the Rolling Stones producing it, what else would you expect? Volume 1 was released two days before the series premiere, with a shorter EP of songs being released digitally each Friday ahead of that week's episode. The Strokes frontman Julian Casablancas, Iggy Pop, Neko Case, and Charli XCX are among the contributors.

Must-hear track: "Run Run Run" by Julian Casablancas

Sunflower Bean: Human Ceremony

https://www.youtube.com/embed/mc-MliXZrlU

Human Ceremony is the full-length debut from young NYC trio Sunflower Bean, comprising Julia Cumming, singer/guitarist Nick Kivlen, and drummer Jacob Faber. The album draws on a number of influences, from Led Zeppelin to The Velvet Underground to Blondie and Tame Impala. It's familiar, but refreshing at the same time.

Lead single "Wall Watcher" is a fuzzy, guitar-driven track "about existing in a lonely world," the band told FADER. "Easier Said" takes things into a more dreamy, pop direction, and really allows Cumming's vocals to shine. "Creation Myth" is another standout that has the band channelling their inner Black Sabbath. If Human Ceremony is any indication, Sunflower Bean has big things ahead.

Must-hear track: "Wall Watcher"

The post What We're Listening to This Month appeared first on Shedoesthecity.



from Shedoesthecity http://ift.tt/1oVRbZb
What We're Listening to This Month http://ift.tt/1oVRbZb Caitlyn Holroyd https://www.youtube.com/embed/mc-MliXZrlU

Here are some of the albums we can't get enough of right now!

Porches: Pool

porches"I pull up the car, and I let it run. It takes away from where we are," Aaron Maine (better known as Porches) sings on "Car." Pool, the latest release from the New York artist, is the soundtrack for late-night drives to nowhere. It's packed full of dark electronics, dreamy ambience, and introspective lyrics with an obvious 1980s influence.

Pool is a departure from Maine's 2013 debut, Slow Dance the Cosmos, which leaned more towards an indie rock sound. The album opens with the intimate "Underwater," a song about watching someone slip into a pool – a scene he recreates on the title track. Water and loneliness are both recurring themes throughout Pool, accentuated by Maine's moody vocals. As contemplative as the album is, it's also very danceable, making for an alluring listen.

Must-hear track: "Hour"

Vinyl: Music From the HBO Original Series

vinyl

I've been on a huge classic rock kick lately, fueled primarily by Vinyl, which premiered on Valentine's Day. Produced by Martin Scorsese and Mick Jagger, the HBO series is set in 1970s New York, where record executive Richie Finestra (Bobby Cannavale) is struggling to keep his company afloat in a changing industry. It's pure sex, drugs, and rock 'n' roll.

One of the best things about Vinyl is its soundtrack – but with the lead singer of the Rolling Stones producing it, what else would you expect? Volume 1 was released two days before the series premiere, with a shorter EP of songs being released digitally each Friday ahead of that week's episode. The Strokes frontman Julian Casablancas, Iggy Pop, Neko Case, and Charli XCX are among the contributors.

Must-hear track: "Run Run Run" by Julian Casablancas

Sunflower Bean: Human Ceremony

https://www.youtube.com/embed/mc-MliXZrlU

Human Ceremony is the full-length debut from young NYC trio Sunflower Bean, comprising Julia Cumming, singer/guitarist Nick Kivlen, and drummer Jacob Faber. The album draws on a number of influences, from Led Zeppelin to The Velvet Underground to Blondie and Tame Impala. It's familiar, but refreshing at the same time.

Lead single "Wall Watcher" is a fuzzy, guitar-driven track "about existing in a lonely world," the band told FADER. "Easier Said" takes things into a more dreamy, pop direction, and really allows Cumming's vocals to shine. "Creation Myth" is another standout that has the band channelling their inner Black Sabbath. If Human Ceremony is any indication, Sunflower Bean has big things ahead.

Must-hear track: "Wall Watcher"

The post What We're Listening to This Month appeared first on Shedoesthecity.

http://ift.tt/1RDs4n6 March 01, 2016 at 09:00AM Shedoesthecity http://ift.tt/1eHoT7u

Monday, 29 February 2016

NYT Health: Waste in Cancer Drugs Costs $3 Billion a Year, a Study Says

Waste in Cancer Drugs Costs $3 Billion a Year, a Study Says
By GARDINER HARRIS

Many drug makers exclusively sell one-size-fits-all vials, meaning patients pay thousands for medicine they are never given, researchers say.

Published: February 29, 2016 at 07:00PM

from NYT Health http://ift.tt/1QoM2Tt
Waste in Cancer Drugs Costs $3 Billion a Year, a Study Says GARDINER HARRIS Many drug makers exclusively sell one-size-fits-all vials, meaning patients pay thousands for medicine they are never given, researchers say. http://ift.tt/1QoM2Tt http://ift.tt/1QoM0uM Health The New York Times February 29, 2016 at 07:00PM

James Thurber

"It is better to know some of the questions than all of the answers."

from Quote of the Day http://ift.tt/1tVG5yW
James Thurber http://ift.tt/1tVG5yW "It is better to know some of the questions than all of the answers." http://ift.tt/eA8V8J Quote of the Day http://ift.tt/U4rUFY

NYT Health: New Study Links Zika Virus to Temporary Paralysis

New Study Links Zika Virus to Temporary Paralysis
By CATHERINE SAINT LOUIS

Mosquito-borne Zika virus may lead to increased risk of Guillain-Barré syndrome, which leaves patients unable to move and in some cases requires life support.

Published: February 29, 2016 at 07:00PM

from NYT Health http://ift.tt/1XWlVEZ
New Study Links Zika Virus to Temporary Paralysis CATHERINE SAINT LOUIS Mosquito-borne Zika virus may lead to increased risk of Guillain-Barré syndrome, which leaves patients unable to move and in some cases requires life support. http://ift.tt/1XWlVEZ http://ift.tt/1QQAtXi Health The New York Times February 29, 2016 at 07:00PM

NYT Health: Free the Tampons

Free the Tampons
By RONI CARYN RABIN

A growing number of advocates are talking about menstruation publicly, and calling for free tampons in every public restroom.

Published: February 28, 2016 at 07:00PM

from NYT Health http://ift.tt/1plAaaS
Free the Tampons RONI CARYN RABIN A growing number of advocates are talking about menstruation publicly, and calling for free tampons in every public restroom. http://ift.tt/1plAaaS http://ift.tt/1Rg6Oko Health The New York Times February 28, 2016 at 07:00PM

NYT Health: ‘Female Viagra’ Only Modestly Increases Sexual Satisfaction, Study Finds

'Female Viagra' Only Modestly Increases Sexual Satisfaction, Study Finds
By SABRINA TAVERNISE

Half of one satisfying sexual encounter a month: That is the average benefit a woman gets from the new female libido drug, researchers said on Monday.

Published: February 29, 2016 at 07:00PM

from NYT Health http://ift.tt/1SddBjX
'Female Viagra' Only Modestly Increases Sexual Satisfaction, Study Finds SABRINA TAVERNISE Half of one satisfying sexual encounter a month: That is the average benefit a woman gets from the new female libido drug, researchers said on Monday. http://ift.tt/1SddBjX http://ift.tt/1Rganas Health The New York Times February 29, 2016 at 07:00PM